Repulsion Movie Trailer

Repulsion is a 1965 British psychological horror film directed by Roman Polanski, based on a scenario by Gérard Brach and Roman Polanski. It was Polanski's first English language film, and was shot in London, making it his first feature made outside Poland. The cast includes Catherine Deneuve, Ian Hendry, John Fraser and Yvonne Furneaux.Carol Ledoux (Catherine Deneuve), a Belgian manicurist who bites her nails, lives in Kensington, London, with her older sister Helen (Yvonne Furneaux). Carol practically sleepwalks through her days, and interacts awkwardly with men. A would-be suitor, Colin (John Fraser), is flummoxed by her behaviour and she rebuffs his advances, disgusted by them. She hides her head in her pillow against her sister's cries of sexual pleasure with her married boyfriend, Michael (Ian Hendry). When Helen leaves on a holiday to Italy with Michael, Carol appears even more distracted at work, gets sent home, stays in the apartment, leaves a raw, is a 1965 British psychological horror film directed by Roman Polanski, based on a scenario by Gérard Brach and Roman Polanski. It was Polanski's first English language film, and was shot in London, making it his first feature made outside Poland. The cast includes Catherine Deneuve, Ian Hendry, John Fraser and Yvonne Furneaux.Carol Ledoux (Catherine Deneuve), a Belgian manicurist who bites her nails, lives in Kensington, London, with her older sister Helen (Yvonne Furneaux). Carol practically sleepwalks through her days, and interacts awkwardly with men. A would-be suitor, Colin (John Fraser), is flummoxed by her behaviour and she rebuffs his advances, disgusted by them. She hides her head in her pillow against her sister's cries of sexual pleasure with her married boyfriend, Michael (Ian Hendry). When Helen leaves on a holiday to Italy with Michael, Carol appears even more distracted at work, gets sent home, stays in the apartment, leaves a raw,

Repulsion Movie Review

Still perhaps Polanski's most perfectly realised film, a stunning portrait of the disintegration, mental and emotional, of a shy young Belgian girl (Deneuve) living in London. When she's left alone by her sister in their Kensington flat, she becomes reclusive and retreats into a terrifying world of fantasies and nightmares which find murderous physical expression when she is visited by a would-be boyfriend (Fraser) and her leering landlord (Wymark). Polanski employs a host of wonderfully integrated visual and aural effects to suggest the inner torment Deneuve suffers: cracks in pavements, hands groping from walls, shadows under doors, rotting skinned rabbits, and - as in Rosemary's Baby - the eerie, ever-present sound of someone practising scales on a piano. And despite the fact that the girl's manically destructive actions derive from a terror of sexual contact, Polanski never turns his film into a misogynist binge: the men she meets are far from sympathetically portrayed, and we are led to understand her fear and revulsion by the surreal expressionism used to portray her mental state. All in all, one of the most intelligent horror movies ever made, and certainly one of the most frighteningly effective.Repulsion Movie Review

Repulsion Movie Wiki

Carol appears even more distracted at work, gets sent home, stays in the apartment, leaves a raw, skinned rabbit out to rot, and begins to hallucinate, first seeing the walls cracking, a man breaking in and molesting her, then hands reaching out to grab and attack her. Colin breaks into her apartment when she refuses to acknowledge his adoration and he apologizes for his transgression. When he says he wants to "be with" her "all the time," she bludgeons him to death with a candlestick, dumps the body into the overflowing bathtub, and nails the broken door shut. Later, the imperious landlord  breaks in, looking for the late rent payment. Carol pays him and sits on the sofa, staring into space. He remarks on the decaying state of the apartment, and attempts to ingratiate himself by bringing her a glass of water as he leers at her in her nightgown. When he first propositions her, then sexually assaults her, she gets away. But he comes at her again and she slashes him to death 

Repulsion Movie Poster

Helen and Michael return, they discover the dead bodies. Michael runs for help. Helen, distraught, finds Carol hiding under the bed in a catatonic state. Neighbors arrive -- curious, concerned and shocked. Michael returns and carries Carol out, staring creepily at her wide-open eye, face and body. A family photograph on the mantel shows Carol as a girl, turned towards a male figure in the photograph with a look that could kill.first seeing the walls cracking, a man breaking in and molesting her, then hands reaching out to grab and attack her. Colin breaks into her apartment when she refuses to acknowledge his adoration and he apologizes for his transgression. When he says he wants to "be with" her "all the time," she bludgeons him to death with a candlestick, dumps the body into the overflowing bathtub, and nails the broken door shut. Later, the imperious landlord (Patrick Wymark) breaks in, looking for the late rent payment. Carol pays him and sits on the sofa, staring into space.